Video review by Stefan Robbers – A cooperation with Gear Junkies and Interface Magzine. See also the printed review Interface 248, december 2021-januari 2022.
More info about Gear Junkies: http://www.gearjunkies.com/
More info about Interface magazine: https://muziekmagazines.nl/interface
With Waldorf M, They are musically returning to their roots by bringing back classic Microwave and ‘modern’ Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF — SSI 2144 Improved Ladder Type — with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets — totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) — professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M’s myriad new features — from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).
Read the review of the mind blowing Waldorf Kyra(click here)
This review is done by Interface Magazine(marz 2020). Written in Dutch.
If you are looking for a dealer?
Jeroen Rietbergen (musical creative director) who plays keyboards at the show “The Voice of Holland” just starting to use the waldorf Quantum on stage. Jeroens first impression: “what a great cool synth”
Jeroen is a well know keyboard player in The Benelux and abroad. Played in the past in different bands like: Candy Dulfer/Marco Borasato/Jan Akkerman/Soulvation and he also worked as a composer for several film music.
#waldorf #quantum #review #test #hyperactivebenelux #synth #amazing #interfacemagazine
nw1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness – just like Nave.
Wavetable scanning is cyclic with optional modulation of travel speed, position, spectrum, and more besides. By providing the worshipped Waldorf wavetable set from the classic Microwave and Wave synthesizers, nw1 will enrich your Eurorack modular system as a potently powerful sound source. The nw1 sound engine also allows for onboard creation of user wavetables via time domain multiple foldover analysis. All you need to do is connect any sound source to the nw1 to transfer audio into a wavetable. Or use the integrated speech synthesizer to translate typed text into wavetables.
Wavetable synthesis is an extremely powerful sound source suited to producing all kinds of vivid metallic hues and digital clangorous tones. It can create organic, bell-like timbres, as well as spectacular-sounding scans through various waveforms with truly ear-opening results. It was almost impossible to create these kinds of sharp-edged, digital sounds back before the invention of wavetable synthesis in the late-Seventies.
Starting with the wavetable synthesizers of those days, a whole new sound palette left its imprint on so many hit records. Today, with Waldorf‘s neatly-sized nw1 Wavetable Module, this sound is readily available for the popular Eurorack standard – sounding just as pure, sharp, and massively destructive as it did back in the golden days of digital!
#waldorf #nw1 #modulair
#waldorf #zarenbourg #review #interfacemagazine 
